Events

A white gallery interior with cement floors. There are multiple artworks in the gallery including a living room-inspired installation with a vintage television and floral wallpaper; a row of four photographs of women braiding their hair; a gold mannequin in a black dress, a pink curtain installation, a colorful canvas with paint.

Gallery Events 15 November 2024 10:00 a.m. – 11:00 a.m.

Curatorial Walkthrough – Cantando Bajito: Chorus

Installation of a grand piano with framed photos on the lid and on the wall behind it.

Gallery Events 20 November 2024 5:30 p.m. – 6:30 p.m.

Visita Guiada en español de la exposición Cantando Bajito: Chorus junto a la curadora / Spanish Curator-Led Tour – Cantando Bajito: Chorus

Past Events

A white gallery interior with cement floors. There are multiple artworks in the gallery including a living room-inspired installation with a vintage television and floral wallpaper; a row of four photographs of women braiding their hair; a gold mannequin in a black dress, a pink curtain installation, a colorful canvas with paint.

15 November 2024 10:00 a.m. – 11:00 a.m.

Curatorial Walkthrough – Cantando Bajito: Chorus

Close-up of two people holding hands in a circle, with others in the background, outdoors in a wooded area. The people are wearing pale earthy-tone t-shirts and leafy head pieces.

10 October 2024 9:00 a.m. – 5:00 p.m.

Cantando Bajito: Convening in Chorus

A flash photograph of people holding up glasses filled with orange drinks to cheers at a party. On the table are drinks, cups, and flowers. And there are balloons and streamers hanging on the back wall.

8 October 2024 5:00 p.m. – 7:00 p.m.

Exhibition Opening: Cantando Bajito: Chorus

Gallery interior with terracotta red walls. There are multiple sculptural artworks, multiple tv monitors playing videos, and some historical photographs.

16 July 2024 5:00 p.m. – 6:00 p.m.

Visita Guiada en español de la exposición Cantando Bajito: Encantamientos junto a la curadora / Spanish Curator-Led Tour – Cantando Bajito: Incantations

Dr. Akiko Mizoguchu with short dark hair is wearing a black outfit, standing against a dark, textured background, looking slightly to her right.

24 June 2024 7:00 p.m. – 8:30 p.m.

The Power of Boys’ Love, a Talk by Dr. Akiko Mizoguchi

Gallery interior with terracotta red walls featuring exhibition text to the left and mixed media installation resembling a shrine with soft sculpture, pillows, fabric chains, and wax molds to the right.

17 June 2024 12:00 p.m. – 1:00 p.m.

「輕聲歌唱：咒語」策展人普通話導賞 / Mandarin Curator-Led Tour – Cantando Bajito: Incantations

Hui Serene’s artwork, Gossip, is a white paper, accordion-folded, with English black text and Nüshu letter-pressed.

7 June 2024 10:00 a.m. – 11:00 a.m.

Curatorial Walkthrough – Cantando Bajito: Incantations

A gray-scale photograph of a Yeoseong Gukgeuk (National Women's Theater) performer gazing forward with prominent makeup. There is a wreath of flowers hanging behind their head and around their chest.

5 June 2024 5:00 p.m. – 7:00 p.m.

Exhibition Opening: Cantando Bajito: Incantations

Gallery interior with light lavender walls and a gray floor. There are several artworks hung on the wall such as three printed photographs, a red monitor, and an arrangement of fifteen framed black-and-white photographs. A three by three steel-tray installation sits in the middle of the floor and a long-ribbon papered installation hangs to the left corner of the photo. In the background above a white desk, the wall has text with header “Cantando Bajito: Testimonies”.

2 May 2024 12:00 p.m. – 1:00 p.m.

Visita Guiada en Español de la Exposición Cantando Bajito: Testimonios Junto a la Curadora / Spanish Curator-Led Tour – Cantando Bajito: Testimonies

A black and white photograph of a woman standing in a field of dirt and a body of water in the far background. She is walking towards the opposite direction of the camera, in a long floral-like patterned dress with long sleeves. A piece of cloth is tied diagonally across her shoulder, and she is balancing what appears to be a bundle of branches on top of her head.

30 April 2024 6:00 p.m. – 7:00 p.m.

Eshina lyo ku topa topa / Typewriter, a performance by Tuli Mekondjo

Glass vessel with prongs resting in a basin filled with dirt. Some dirt has been swept aside, revealing the metal bottom of the basin.

8 March 2024 10:00 a.m. – 11:00 a.m.

Curatorial Walkthrough – Cantando Bajito: Testimonies

7 March 2024 5:00 p.m. – 6:30 p.m.

In Conversation: Gabrielle Goliath and Tina Campt

Grayscale illustration of a group of women wearing veils with uneasy or fearful expressions.

5 March 2024 5:00 p.m. – 7:00 p.m.

Exhibition Opening: Cantando Bajito: Testimonies

A pair of photographs, one of speaker Ruha Benjamin and the other of moderator Paul Holdengräber. They are speaking and listening respectively, Benjamin with hands raised in gesture, and Holdengräber with an expression of intent listening, from left to right against black backgrounds.

20 November 2023 6:00 p.m. – 8:00 p.m.

In Conversation: Ruha Benjamin and Paul Holdengräber

31 October 2023 6:00 p.m. – 8:00 p.m.

In Conversation: Stephanie Dinkins and Mimi Ọnụọha Moderated by Salome Asega

A hand reaches for a dark-gray file from a white-steel filing cabinet. This cabinet is crammed with numerous files, which are all tabbed of different “missing data sets.” The chosen file is tabbed “Global web user measurements that include VPNs.”

8 September 2023 12:00 p.m. – 1:00 p.m.

Curator-led tour: What Models Make Worlds: Critical Imaginaries of AI

AI-generated portrait, set within a pattern of orange and blue dots and lines. A person with light skin and black hair wearing a black and silver-patterned cap seems to have multiple AI-generated arms. Their hands appear to be holding orange and white-swirled orbs.

7 September 2023 6:00 p.m. – 8:00 p.m.

Exhibition opening: What Models Make Worlds: Critical Imaginaries of AI

The word LIFETIME repeatedly stamped in black, blue, and white onto a pink background.

26 June 2023 6:00 p.m. – 8:00 p.m.

In Conversation: For Freedoms x The Writing on the Wall

A graphic with photographs of artists Jared Owens and Sherrill Roland.

1 June 2023 4:00 p.m. – 6:00 p.m.

In Conversation: Jared Owens & Sherrill Roland

Layered rubbings of the word LIFETIME in brown, blue and white colored pencil on pink paper.

4 April 2023 6:00 p.m. – 8:00 p.m.

No Justice Without Love

Smiling figure in fuschia satin shirt and head wrap, holding a microphone.

5 December 2022 6:00 p.m. – 7:00 p.m.

Clown Moods

Several people sit in a circle with backstrap looms connecting them together.

9 November 2022 5:30 p.m. – 7:00 p.m.

Weaving Care: A Panel on Disability and Craft

A person is standing in a jungle surrounded by palm trees with a blue plastic tarp over their head.

30 September 2022 6:00 p.m. – 8:00 p.m.

Indisposable: Tactics for Care and Mourning

Stylized and shaped text reads WE DO NOT BREAK, BECAUSE WE CAN BEND

4 August 2022 6:00 p.m. – 8:00 p.m.

We do not break, because we can bend: How we organize in the face of anti Asian, anti femme violence

A photograph of the exhibition everything slackens in a wreck

23 July 2022 2:00 p.m. – 3:00 p.m.

everything slackens in a wreck – Curator led tour July 23

A painting by Kelly Sinnapah Mary of a woman with black hair and white puffy sleeves emerging from a field of snake plants.

21 July 2022 6:00 p.m. – 7:30 p.m.

Artist Talk: Kelly Sinnapah Mary

A blue-child figure with white wings and a painted gold headband holding a rainbow

13 June 2022 6:00 p.m. – 8:00 p.m.

Andil Gosine and Rajiv Mohabir: A Pride Love-Up Moderated by Tzarina Prater

Painting of a female figure with wavy black hair seated on an armchair surrounded by large green leaves sprouting from the wooden floorboards. She is wearing bright red shoes, a blue and white dress and her exposed skin is covered in foliage.

1 June 2022 7:00 p.m. – 9:00 p.m.

Exhibition opening: everything slackens in a wreck

Image of a digital textile using multiple images and text into a woven grid-like pattern.

24 February 2022 12:00 p.m. – 4:15 p.m.

Indisposable: Structures of Support After the ADA, Chapter 8

Silhouette of artist Allison Leigh Holt looking over water-filled glass spheres and objects that are casting shapes and shadows of refracted light onto the wall.

10 November 2021 2:00 p.m. – 3:15 p.m.

Indisposable: Structures of Support After the ADA, Chapter 7

A triptych of images zoomed in to soil, grass, and orange fungus.

23 September 2021 6:00 p.m. – 7:00 p.m.

Indisposable: Structures of Support After the ADA, Chapter 6

An outline of a black rectangle on top of a light gray background. On either side of the black rectangle are slightly blurry vertical hot pink and dark gray lines.

9 June 2021 6:00 p.m. – 7:15 p.m.

Indisposable: Structures of Support After the ADA, Chapter 5

People in colorful clothing and face masks weave multicolored yarn onto a geometric structure outside at a spacious green park

30 April 2021 1:00 p.m. – 2:00 p.m.

Indisposable: Structures of Support After the ADA, Chapter 4

Three actors in colorful flowing garments sit next to one another and lean against one other

3 March 2021 1:00 p.m. – 2:00 p.m.

Indisposable: Structures of Support After the ADA, Chapter 3

Sami Schalk wearing a bright colored sparkling bodysuit, eyeglasses, and an iridescent sequin face mask leaning over a supermarket shopping cart

18 November 2020 1:00 p.m. – 2:00 p.m.

Indisposable: Structures of Support After the ADA, Chapter 2

Artist Vanessa German wearing a white dress with black spots stands in a garden path under a landscaped arch, surrounded by orange, purple, red, and yellow flowers

5 November 2020 4:00 p.m. – 5:30 p.m.

Listening as an Act of Love / Dispatches from the Future with vanessa german – Session #3

Artist Vanessa German wearing a white dress with black spots stands in a garden path under a landscaped arch, surrounded by orange, purple, red, and yellow flowers

1 October 2020 3:00 p.m. – 4:30 p.m.

Listening as an Act of Love / Dispatches from the Future with vanessa german – Session #2

Person lying on the grass looking at a mountain range.

17 September 2020 3:00 p.m. – 4:15 p.m.

Indisposable: Structures of Support After the ADA, Chapter 1

Artist Vanessa German wearing a white dress with black spots stands in a garden path under a landscaped arch, surrounded by orange, purple, red, and yellow flowers

1 September 2020 3:00 p.m. – 4:30 p.m.

Listening as an Act of Love / Dispatches from the Future with vanessa german

Epaul Julien, 13th, 2018 Mixed media photo collage, encaustic wax, acrylic, gesso and resin on wood 28 x 24 inches

8 May 2020 11:00 a.m. – 12:00 p.m.

Curator-led tour: May 8 (CANCELED)

Spirit McIntyre singing and playing the cello

30 April 2020 4:00 p.m. – 5:15 p.m.

PerSister in Song – Virtual Concert

Epaul Julien, 13th, 2018 Mixed media photo collage, encaustic wax, acrylic, gesso and resin on wood 28 x 24 inches

11 April 2020 10:30 a.m. – 11:30 a.m.

Curator-led tour: April 11 (CANCELED)

The Graduates, founded in 2012, is a performance ensemble composed of four formerly incarcerated women from Louisiana.

4 March 2020 6:00 p.m. – 8:00 p.m.

Life, a performance by The Graduates

Epaul Julien, 13th, 2018 Mixed media photo collage, encaustic wax, acrylic, gesso and resin on wood 28 x 24 inches

3 March 2020 4:00 p.m. – 5:00 p.m.

Curator-led tour: March 3

PerSister portraits by Allison Beondé

2 March 2020 6:00 p.m. – 8:00 p.m.

Exhibition opening: PerSister

Lola Flash, Syzygy, 2019

16 November 2019 4:00 p.m. – 5:00 p.m.

Curator-led tour: November 16

Utopian Imagination exhibition gallery detail 8

23 October 2019 6:00 p.m. – 8:00 p.m.

Utopian Imagination | Artists in Conversation

Farxiyo Jaamac, IFTIN, 2017, Private Collection

5 October 2019 11:30 a.m. – 12:30 p.m.

Curator-led tour: October 5

Sue Austin | Creating the Spectacle! Part 1: Finding Freedom, 2012 | Video

17 August 2019 4:00 p.m. – 6:00 p.m.

Curator-led tour: August 17

Thomas Lanigan-Schmidt | The Preying Hands: In a Little Corner Chapel to Mammon in the Cathedral of Moloch, Greed Makes Human Sacrifice Expedient Upon the Altar of Racism, Displacement and Gentrification, 1985 | Mixed-media installation

13 July 2019 4:00 p.m. – 6:00 p.m.

Curator-led tour: July 13

Bradley McCallum & Jacqueline Tarry | Evidence of Things Not Seen, 2008 | Oil on linen, toner on silk

10 July 2019 4:00 p.m. – 5:00 p.m.

Curator-led tour: July 10

Maria Berrio | Nativity, 2014 | Collage with Japanese paper, acrylic and watercolor paint, pencil, and rhinestones

15 June 2019 2:00 p.m. – 3:00 p.m.

Curator-led tour: June 15

Athi-Patra Ruga Umesiyakazi in Waiting, 2015

11 June 2019 6:00 p.m. – 8:00 p.m.

Exhibition opening: Radical Love

The Perilous Bodies Installation on exhibit in the Ford Foundation Gallery.

10 May 2019 4:00 p.m. – 5:00 p.m.

Curator-led tour: May

Perilous Bodies: Artists in Conversation

12 April 2019 6:00 p.m. – 8:00 p.m.

Perilous Bodies: Artists in Conversation

The Perilous Bodies Installation on exhibit in the Ford Foundation Gallery.

16 March 2019 4:00 p.m. – 5:00 p.m.

Curator-led tour: March

Vanessa German performing in Aetna Theater, Wadsworth Atheneum Museum of Art 2016. Photo Allen Phillips

5 March 2019 6:00 p.m. – 8:00 p.m.

Exhibition opening: Perilous Bodies

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